Instead of attaching itself a single target and sticking there, it without warning constantly switch targets for no reason and did not appear to have any method of distinguishing a dangerous enemy from a harmless bookshelf. While it might make more sense to some to always use the auto aim if it’s being offered, it generally never seemed to work right. By pressing the right trigger or moving the right analog stick, the player can fire a volley of plasma shots, with the right trigger making use of an auto aim and the right stick firing where you’re pointing with it. What follows is a procedurally-generated dungeon, a la Binding of Isaac, where rooms are filled with various types of ghosts to catch and civilians to rescue. In terms of gameplay, the player can select an area, starting with an office environment, and moving on to others as they begin earning money, and their run starts from there. This is honestly all there is to the story of the game, presented in cutscenes where the voices are represented by deep grunts, Banjo-Kazooie style. He must figure out a way to save her soul and bring her back to life, or she’ll be forced to “live” the rest of her days as a ghost. One day his mentor, an old lady named Beryl Ware, appears as a ghost that only Hector seems to be able to see. In Dead End Job, the player takes on the role of Hector Plasm, an exterminator working for the company Ghoul-B-Gone.
